{"id":36364,"date":"2024-01-17T06:00:00","date_gmt":"2024-01-17T04:00:00","guid":{"rendered":"https:\/\/omnesmag.com\/?p=36364"},"modified":"2026-05-07T12:45:01","modified_gmt":"2026-05-07T10:45:01","slug":"eugenio-dors-three-hours-in-the-prado-museum","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/en\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/","title":{"rendered":"Eugenio d'Ors (1881-1954): Three hours in the Prado Museum"},"content":{"rendered":"<p class=\"wp-block-paragraph\">It has been 100 years since the appearance of <em><a href=\"https:\/\/www.tecnos.es\/libro\/ventana-abierta\/tres-horas-en-el-museo-del-prado-eugenio-d-ors-9788430942008\/\">Three hours at the Prado Museum<\/a><\/em>probably the most famous book by the Spanish philosopher Eugenio d'Ors. As usual in d'Ors, this book was first a collection of glosses, which appeared in the section <em>The works and the days<\/em> of the newspaper <em>The News<\/em> of Barcelona between May 10 and August 13, 1922. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rafael Caro Raggio published it in book form the following year as a second edition, and since then it has been reprinted thirty times, which gives an idea of its relevance. In 1927 it was translated into French and, as d'Ors' biographer, Enric Jard\u00ed, states, \"<em>the author's fame transcended beyond our frontiers with his French version<\/em>\".<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>The book<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Although it may seem, at first glance, a book of art criticism, it is one of those typical pirouettes of the Catalan thinker, in which, using a tour of the museum, he elevates us to a review of the history of art and, in an even greater leap, to a theory of art, to an \"aeonic\" conception of art, to an \"aeonic\" conception of art.<em>\"<\/em> of art. It elevates us from anecdote to category, and what seems like a simple guide to visit the Prado Museum becomes, almost without realizing it, a formidable aesthetic theory.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For d'Ors, in every work of art there are present, in different proportions, two values of opposite sign: the spatial value and the expressive value. The first tends towards \"sculpturalization\".<em>\"<\/em> of the work of art, it makes the works heavy; the second elevates them towards a \"musification<em>\"<\/em> making them fly. If this expressive value is a tendency to impulse, to pure significance, its opposite seeks balance, eternity. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Depending on whether one tendency or the other prevails in a work, we will find ourselves before a classical work of art or a baroque work -in the sense that d'Ors gives to these words: we are not dealing with mere artistic styles typical of a specific moment in history, but with deeper, eternal constants, which he calls \"eons\".<em>\"<\/em>The baroque is a baroque that is manifested throughout all periods and styles; there is, therefore, a romantic baroque, a gothic baroque, a modernist baroque... -.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Tour of the paintings<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">D'Ors begins his journey through the classical extreme, through the paintings in which corporeality triumphs over expressiveness: Poussin, Claudio Lorena, Andrea del Sarto, Mantegna. Alongside these \"rationalist\" painters<em>\"<\/em>d'Ors places Raphael, who has introduced the eternal feminine into his art, thus opening the space to lyricism, to feeling. Even more lyrical is Correggio, whom he calls \"<em>antechamber of baroque\".<\/em>. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">However, in the middle ground between painting-sculpture and painting-music is Vel\u00e1zquez, the painting-painting, \"<em>like a crystal over the world<\/em>\". Immediately before Vel\u00e1zquez's realism are the primitives: Fra Angelico, Jan van Eyck, Rogier van der Weyden, Petrus Christus, Memling, Berruguete, Morales, Juan de Juanes and the second generation of primitives, Bosch, Patinir, Brueghel the Elder, who approach from classical idealism to realism, that is, in the line that goes towards the romantic, but still far away.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From \"equidistant\" realism<em>\"<\/em> From Vel\u00e1zquez begins a line that continues through the Spanish masters -Zurbar\u00e1n, Murillo, Ribera-, the Venetian school -Bellini, Giorgione, Palma, Tiziano, Tintoretto, Veronese-, the Germanic painters -quintaesenciados in Durero-, the Flemish -Rubens, van Dyck, Jordaens- and Dutch -Rembrandt, Vermeer-, all of them already very close to pure romanticism, to the art of the forms that fly. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the extreme of expressiveness, lyricism, musicality, in the world of flying forms, are the romanticism of Goya, El Greco, or impressionism.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>More than art theory<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">This scheme, which d'Ors illustrates by stopping before each painting and showing the prevalence of one or the other value, is connected with formalist aesthetics and, even more, with the classical roots of aesthetics -Baumgarten, Winckelmann and Lessing and their debate on the Laoco\u00f6n, \"...\" (d'Ors, \"The Laocoon\").<em>la querelle des anciens et des modernes\".<\/em>Kant's or Schiller's theses. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The genius of Eugenio d'Ors is that he does not \"theorize\".<em>\"<\/em>In the worst sense of the word, he does not limit himself to criticizing works of art. Through his accurate, acerbic commentary, he elevates the reader -and the visitor to the Prado- to an esthetic theory that, beyond its validity or error, elevates the spirit, ignites the sensibility and allows us to enter into the beauty of artistic creation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From the penetrating comments of Eugenio d'Ors, we have selected one on the <em>Christ crucified<\/em> by Vel\u00e1zquez: <em>\"It means a supreme dignity. Precisely because of its sobriety, its humanity, its admirable double absence of beauty and physical ugliness. This body is not ugly, as in El Greco. Nor is it beautiful, as in Goya. <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>He is neither an athlete, as in Michelangelo, nor a larva, as in some primitives. He is noble: that is all. He has no face, which the hair hides. He has no blood with which to water compassion romantically. It has no human company to make visions in which passions are portrayed. No landscape, no sky, no spectacular meteors and prodigies. He was a righteous man; he is dead. And -supreme dignity!- he is alone.\"<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One hundred years after its original publication, the reading of <em>Three hours at the Prado Museum<\/em> continues to challenge the reader and invites, of course, to a new visit to the museum, which has grown and improved so much over the years. We need to let ourselves be filled by the beauty so carefully preserved in this marvelous space. <\/p>","protected":false},"excerpt":{"rendered":"<p>Se han cumplido 100 a\u00f1os de la aparici\u00f3n de Tres horas en el Museo del Prado, probablemente el libro m\u00e1s famoso del fil\u00f3sofo espa\u00f1ol Eugenio d\u2019Ors. Como es habitual en d\u2019Ors, este libro fue primero una colecci\u00f3n de glosas, que aparecieron en la secci\u00f3n Las obras y los d\u00edas del peri\u00f3dico Las Noticias de Barcelona [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":36365,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[36,39],"tags":[606,594],"class_list":["post-36364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-cultura","tag-cultura","tag-libros"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Eugenio d\u2019Ors (1881-1954): Tres horas en el Museo del Prado<\/title>\n<meta name=\"description\" content=\"Omnes es un medio de comunicaci\u00f3n cat\u00f3lico que trata los temas de actualidad desde el an\u00e1lisis y reflexi\u00f3n, con una mirada cat\u00f3lica.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.omnesmag.com\/en\/news\/eugenio-dors-three-hours-in-the-prado-museum\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eugenio d\u2019Ors (1881-1954): Tres horas en el Museo del Prado\" \/>\n<meta property=\"og:description\" content=\"Omnes es un medio de comunicaci\u00f3n cat\u00f3lico que trata los temas de actualidad desde el an\u00e1lisis y reflexi\u00f3n, con una mirada cat\u00f3lica.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.omnesmag.com\/en\/news\/eugenio-dors-three-hours-in-the-prado-museum\/\" \/>\n<meta property=\"og:site_name\" content=\"Omnes\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-17T04:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-07T10:45:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2024\/01\/CULTURA.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"920\" \/>\n\t<meta property=\"og:image:height\" content=\"526\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Omnes\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Omnes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"NewsArticle\",\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/\"},\"author\":{\"name\":\"Omnes\",\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/#\\\/schema\\\/person\\\/13db9f35f418e3a5dfa31c851f5aaaf5\"},\"headline\":\"Eugenio d\u2019Ors (1881-1954): Tres horas en el Museo del Prado\",\"datePublished\":\"2024-01-17T04:00:00+00:00\",\"dateModified\":\"2026-05-07T10:45:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/\"},\"wordCount\":1025,\"publisher\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.omnesmag.com\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/CULTURA.jpg\",\"keywords\":[\"Cultura\",\"Libros\"],\"articleSection\":[\"Actualidad\",\"Cultura\"],\"inLanguage\":\"en-US\"},{\"@type\":[\"WebPage\",\"ItemPage\"],\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/\",\"url\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/\",\"name\":\"Eugenio d\u2019Ors (1881-1954): Tres horas en el Museo del Prado\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.omnesmag.com\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/CULTURA.jpg\",\"datePublished\":\"2024-01-17T04:00:00+00:00\",\"dateModified\":\"2026-05-07T10:45:01+00:00\",\"description\":\"Omnes es un medio de comunicaci\u00f3n cat\u00f3lico que trata los temas de actualidad desde el an\u00e1lisis y reflexi\u00f3n, con una mirada cat\u00f3lica.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.omnesmag.com\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/CULTURA.jpg\",\"contentUrl\":\"https:\\\/\\\/www.omnesmag.com\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/CULTURA.jpg\",\"width\":920,\"height\":526,\"caption\":\"d'ors\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/actualidad\\\/eugenio-dors-tres-horas-en-el-museo-del-prado\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/www.omnesmag.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Eugenio d\u2019Ors (1881-1954): Tres horas en el Museo del Prado\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/#website\",\"url\":\"https:\\\/\\\/www.omnesmag.com\\\/\",\"name\":\"Omnes\",\"description\":\"Informaci\u00f3n de la Iglesia y la sociedad\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/#organization\"},\"alternateName\":\"Omnes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.omnesmag.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/#organization\",\"name\":\"Omnes\",\"url\":\"https:\\\/\\\/www.omnesmag.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.omnesmag.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/logo_omnes_negro.png\",\"contentUrl\":\"https:\\\/\\\/www.omnesmag.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/logo_omnes_negro.png\",\"width\":15524,\"height\":3000,\"caption\":\"Omnes\"},\"image\":{\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/#\\\/schema\\\/person\\\/13db9f35f418e3a5dfa31c851f5aaaf5\",\"name\":\"Omnes\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.omnesmag.com\\\/wp-content\\\/uploads\\\/2021\\\/07\\\/omnes_o_azul-100x100.jpg\",\"url\":\"https:\\\/\\\/www.omnesmag.com\\\/wp-content\\\/uploads\\\/2021\\\/07\\\/omnes_o_azul-100x100.jpg\",\"contentUrl\":\"https:\\\/\\\/www.omnesmag.com\\\/wp-content\\\/uploads\\\/2021\\\/07\\\/omnes_o_azul-100x100.jpg\",\"caption\":\"Omnes\"},\"url\":\"https:\\\/\\\/www.omnesmag.com\\\/en\\\/author\\\/omnes\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Eugenio d'Ors (1881-1954): Three hours in the Prado Museum","description":"Omnes is a Catholic media that deals with current issues from an analytical and reflective point of view, with a Catholic perspective.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.omnesmag.com\/en\/news\/eugenio-dors-three-hours-in-the-prado-museum\/","og_locale":"en_US","og_type":"article","og_title":"Eugenio d\u2019Ors (1881-1954): Tres horas en el Museo del Prado","og_description":"Omnes es un medio de comunicaci\u00f3n cat\u00f3lico que trata los temas de actualidad desde el an\u00e1lisis y reflexi\u00f3n, con una mirada cat\u00f3lica.","og_url":"https:\/\/www.omnesmag.com\/en\/news\/eugenio-dors-three-hours-in-the-prado-museum\/","og_site_name":"Omnes","article_published_time":"2024-01-17T04:00:00+00:00","article_modified_time":"2026-05-07T10:45:01+00:00","og_image":[{"width":920,"height":526,"url":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2024\/01\/CULTURA.jpg","type":"image\/jpeg"}],"author":"Omnes","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Omnes","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"NewsArticle","@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/#article","isPartOf":{"@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/"},"author":{"name":"Omnes","@id":"https:\/\/www.omnesmag.com\/#\/schema\/person\/13db9f35f418e3a5dfa31c851f5aaaf5"},"headline":"Eugenio d\u2019Ors (1881-1954): Tres horas en el Museo del Prado","datePublished":"2024-01-17T04:00:00+00:00","dateModified":"2026-05-07T10:45:01+00:00","mainEntityOfPage":{"@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/"},"wordCount":1025,"publisher":{"@id":"https:\/\/www.omnesmag.com\/#organization"},"image":{"@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/#primaryimage"},"thumbnailUrl":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2024\/01\/CULTURA.jpg","keywords":["Cultura","Libros"],"articleSection":["Actualidad","Cultura"],"inLanguage":"en-US"},{"@type":["WebPage","ItemPage"],"@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/","url":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/","name":"Eugenio d'Ors (1881-1954): Three hours in the Prado Museum","isPartOf":{"@id":"https:\/\/www.omnesmag.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/#primaryimage"},"image":{"@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/#primaryimage"},"thumbnailUrl":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2024\/01\/CULTURA.jpg","datePublished":"2024-01-17T04:00:00+00:00","dateModified":"2026-05-07T10:45:01+00:00","description":"Omnes is a Catholic media that deals with current issues from an analytical and reflective point of view, with a Catholic perspective.","breadcrumb":{"@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/#primaryimage","url":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2024\/01\/CULTURA.jpg","contentUrl":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2024\/01\/CULTURA.jpg","width":920,"height":526,"caption":"d'ors"},{"@type":"BreadcrumbList","@id":"https:\/\/www.omnesmag.com\/actualidad\/eugenio-dors-tres-horas-en-el-museo-del-prado\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/www.omnesmag.com\/"},{"@type":"ListItem","position":2,"name":"Eugenio d\u2019Ors (1881-1954): Tres horas en el Museo del Prado"}]},{"@type":"WebSite","@id":"https:\/\/www.omnesmag.com\/#website","url":"https:\/\/www.omnesmag.com\/","name":"Omnes","description":"Information on the Church and Society","publisher":{"@id":"https:\/\/www.omnesmag.com\/#organization"},"alternateName":"Omnes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.omnesmag.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.omnesmag.com\/#organization","name":"Omnes","url":"https:\/\/www.omnesmag.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.omnesmag.com\/#\/schema\/logo\/image\/","url":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2020\/12\/logo_omnes_negro.png","contentUrl":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2020\/12\/logo_omnes_negro.png","width":15524,"height":3000,"caption":"Omnes"},"image":{"@id":"https:\/\/www.omnesmag.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.omnesmag.com\/#\/schema\/person\/13db9f35f418e3a5dfa31c851f5aaaf5","name":"Omnes","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2021\/07\/omnes_o_azul-100x100.jpg","url":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2021\/07\/omnes_o_azul-100x100.jpg","contentUrl":"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2021\/07\/omnes_o_azul-100x100.jpg","caption":"Omnes"},"url":"https:\/\/www.omnesmag.com\/en\/author\/omnes\/"}]}},"_links":{"self":[{"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/posts\/36364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/comments?post=36364"}],"version-history":[{"count":1,"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/posts\/36364\/revisions"}],"predecessor-version":[{"id":36370,"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/posts\/36364\/revisions\/36370"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/media\/36365"}],"wp:attachment":[{"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/media?parent=36364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/categories?post=36364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.omnesmag.com\/en\/wp-json\/wp\/v2\/tags?post=36364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}