{"id":58309,"date":"2026-02-13T06:00:00","date_gmt":"2026-02-13T05:00:00","guid":{"rendered":"https:\/\/www.omnesmag.com\/?p=58309"},"modified":"2026-02-11T15:22:29","modified_gmt":"2026-02-11T14:22:29","slug":"the-wounds-of-the-deaf-reunion","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/en\/actualidad\/cultura\/cine\/las-heridas-de-los-sordos-reunion\/","title":{"rendered":"The wounds of the deaf\u00a0"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Daniel Brennan, deaf since birth, is released from prison ten years after serving time for murdering his best friend, Ray, who is also deaf. Reintegrating into society will not be easy, as neither his daughter Carly, nor his parents, nor any of the members of the deaf community, especially Christine and Miri, Ray's wife and daughter, respectively, want anything to do with him.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This British miniseries, composed of five episodes, is a surprising dramatic gem that invites us to an immersive exercise in the conflicts, ghosts and hopes of deaf people. Many of the characters in the story are deaf and, as such, communicate mainly by signing, so that subtitles predominate to follow their dialogues, as well as other guttural sounds to make themselves understood. In addition to this formal reality, a true exercise in realism to present difficult situations of everyday life, there is the ideation of complex characters. Especially in <em>Meeting <\/em>there are wounded characters, dragging a lot of pain from the past, frightened characters, afraid of the present and the future, misunderstood.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The pace is generally slow. Although there are some, there are few sequences of action and acceleration of events. Dialogue and, even more, silences prevail. But, despite all this, the script is skillful enough to generate plot twists, unexpected surprises, distressing situations, arguments, screams and fights. Thus, despite these moments of transit through narrative wastelands and valleys, the emotion does not wane nor does it end up generating boredom.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although the story begins linearly, it is soon structured in different temporal moments. Daniel Brennan's difficulties in reintegrating into society are overlapped with scenes of what happened ten years earlier (that which led him to prison) and others referring to a more remote past of the protagonists. The performances, of course, are magnificent, and it is worth mentioning that of Daniel, a truly tormented character, with continuous mood swings and no self-control, and that of his daughter Carly, who both desires and rejects an exemplary father, while also trying to find her place in the world.<\/p>\n\n\n<div class=\"omnes-block-ficha-vertical\">\n\t<div class=\"content\">\n\t\t<h2>Series<\/h2>\n\t\t<img decoding=\"async\" src=\"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2026\/02\/Reunion.jpg\" \/>\n\t\t<div class=\"v\"><strong>Title<\/strong>: Meeting<\/div><div class=\"v\"><strong>Address<\/strong>William Mager and Luke Snellin<\/div><div class=\"v\"><strong>Distribution<\/strong>: Matthew Gurney, Lara Peake, Anne-Marie Duff<\/div><div class=\"v\"><strong>Platform<\/strong>: Filmin<\/div><div class=\"v\"><strong>Country<\/strong>: United Kingdom<\/div><div class=\"v\"><strong>Year<\/strong>: 2025<\/div>\t<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Daniel Brennan, sordo de nacimiento, sale de la c\u00e1rcel diez a\u00f1os despu\u00e9s tras cumplir condena por asesinar a su mejor amigo, Ray, sordo tambi\u00e9n. Reinsertarse en sociedad no le ser\u00e1 sencillo, pues no quieren saber nada de \u00e9l ni su hija Carly, ni sus padres ni ninguno de los miembros de la comunidad sorda, especialmente [&hellip;]<\/p>\n","protected":false},"author":2425,"featured_media":58310,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[36,56,39],"tags":[1093],"class_list":["post-58309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-cine","category-cultura","tag-series"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Las heridas de los sordos\u00a0- Reuni\u00f3n<\/title>\n<meta name=\"description\" content=\"Reuni\u00f3n es un intenso drama brit\u00e1nico que explora, desde el mundo sordo, la culpa, el dolor y la b\u00fasqueda de redenci\u00f3n.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.omnesmag.com\/en\/news\/culture\/cinema\/the-wounds-of-the-deaf-reunion\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Las heridas de los sordos\u00a0- Reuni\u00f3n\" \/>\n<meta property=\"og:description\" content=\"Reuni\u00f3n es un intenso drama brit\u00e1nico que explora, desde el mundo sordo, la culpa, el dolor y la b\u00fasqueda de redenci\u00f3n.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.omnesmag.com\/en\/news\/culture\/cinema\/the-wounds-of-the-deaf-reunion\/\" \/>\n<meta property=\"og:site_name\" content=\"Omnes\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-13T05:00:00+00:00\" \/>\n<meta property=\"og:image\" 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