{"id":16805,"date":"2021-11-15T05:11:00","date_gmt":"2021-11-15T04:11:00","guid":{"rendered":"https:\/\/omnesmag.com\/?p=16805"},"modified":"2021-11-15T09:09:07","modified_gmt":"2021-11-15T08:09:07","slug":"la-fortuna","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/fr\/firmas\/la-fortuna\/","title":{"rendered":"La Fortuna"},"content":{"rendered":"

J'avoue que je suis un fan d'Alejandro Amen\u00e1bar depuis l'\u00e9poque o\u00f9 j'\u00e9tais \u00e9tudiant en sciences de l'information. Son op\u00e9ra prima Th\u00e8ses<\/em> (1996) a vu le jour alors que j'\u00e9tais encore \u00e0 l'universit\u00e9 et tous nos camarades de classe ont senti qu'il s'agissait de l'\u0153uvre de l'un des n\u00f4tres (nous avons partag\u00e9 une carri\u00e8re avec lui) qui avait r\u00e9alis\u00e9 ce que nous voulions tous et ce \u00e0 quoi nous nous pr\u00e9parions : communiquer, raconter de grandes histoires.<\/p>\n\n\n\n

Mon admiration pour le r\u00e9alisateur hispano-chilien a toutefois connu des hauts et des bas en raison de son engagement dans des th\u00e8mes controvers\u00e9s, dans lesquels il se heurtait \u00e0 mes approches. Par exemple, Offshore<\/em> (2004), est une ode \u00e0 la l\u00e9galisation de l'euthanasie ; ou encore Agora<\/em> (2008), un film historique dans lequel le christianisme est d\u00e9peint comme l'ennemi du progr\u00e8s et de la science.<\/p>\n\n\n\n

Sa derni\u00e8re production, cependant, m'a r\u00e9concili\u00e9 avec lui une fois de plus. Il s'agit de la mini-s\u00e9rie La Fortuna<\/em>produite par Movistar+ et annonc\u00e9e comme la s\u00e9rie espagnole la plus ch\u00e8re de l'histoire. Le sc\u00e9nario est bas\u00e9 sur la bande dessin\u00e9e Le tr\u00e9sor du cygne noir<\/em>de Guillermo Corral et Paco Roca, qui est \u00e0 son tour bas\u00e9 sur des \u00e9v\u00e9nements r\u00e9els. Plus pr\u00e9cis\u00e9ment, sur la victoire de la diplomatie espagnole contre une soci\u00e9t\u00e9 am\u00e9ricaine de chasse au tr\u00e9sor qui, en 2007, a d\u00e9tourn\u00e9 la cargaison de pi\u00e8ces du galion de la marine espagnole Nuestra Se\u00f1ora de las Mercedes, coul\u00e9 au XIXe si\u00e8cle.<\/p>\n\n\n\n

Les protagonistes : un jeune diplomate catholique, conservateur, et un fonctionnaire ath\u00e9e, progressiste, plus m\u00fbr. Des \u00e9tincelles jaillissent d\u00e8s le premier instant entre deux personnages dont le seul point commun est leur d\u00e9sir de r\u00e9cup\u00e9rer le tr\u00e9sor pill\u00e9 pour l'Espagne. La s\u00e9rie combine des films d'action et d'aventure, d'espionnage, de batailles d'\u00e9poque, de romance, de thrillers juridiques, toutes les composantes pour garder un large \u00e9ventail de t\u00e9l\u00e9spectateurs riv\u00e9s \u00e0 l'\u00e9cran. Cependant, j'ai \u00e9t\u00e9 surpris qu'il soit pass\u00e9 sans grand bruit (je ne connais pas ses chiffres d'audience, mais son \u00e9cho dans les r\u00e9seaux sociaux est assez limit\u00e9) et qu'il n'ait pas \u00e9t\u00e9 bien trait\u00e9 par la critique.<\/p>\n\n\n\n

Et le fait est que La Fortuna<\/em> est un produit amical et conciliant. Il ne favorise aucune des deux Espagne repr\u00e9sent\u00e9es par Alex Ventura (\u00c1lvaro Mel) et Luc\u00eda Vallarta (Ana Polvorosa). Les deux protagonistes parviennent \u00e0 surmonter toutes les barri\u00e8res qui les s\u00e9parent, et ils le font en marchant ensemble, en plongeant dans leur pass\u00e9 commun, leur patrimoine culturel, leurs racines historiques, et cela, malheureusement, ne m\u00e9rite pas aujourd'hui l'attention que suscitent la division, l'affrontement ou la violence gratuite de la s\u00e9rie mollusque sud-cor\u00e9enne !<\/p>\n\n\n\n

C'est un Am\u00e9ricain, l'avocat Jonas Pierce (Clarke Peters), qui fait comprendre aux protagonistes et aux membres paresseux du gouvernement espagnol l'importance de s'unir pour r\u00e9cup\u00e9rer le tr\u00e9sor, en d\u00e9clarant : \"Nous parlons de plus que d'argent. Nous parlons du patrimoine culturel d'un pays. Chaque navire coul\u00e9 fait partie de votre patrimoine, de votre \u00e2me\".<\/p>\n\n\n\n

Et quelle est l'\u00e2me de l'Espagne ? Qui avons-nous en commun ? D\u00e8s que nous r\u00e9fl\u00e9chissons un peu \u00e0 notre esprit en tant que nation, voire en tant que continent, le sujet de la foi surgit.<\/p>\n\n\n\n

L'ath\u00e9e Amen\u00e1bar r\u00e9ussit \u00e9galement dans La Fortuna,<\/em> une chose rarement vue dans l'industrie audiovisuelle espagnole au cours des 60 derni\u00e8res ann\u00e9es : la repr\u00e9sentation respectueuse de la religion. La sc\u00e8ne se d\u00e9roule dans le quatri\u00e8me chapitre et est film\u00e9e dans l'\u00e9glise de San Marcos \u00e0 Madrid. Le jeune protagoniste se d\u00e9clare catholique, bien que loin de l'\u00c9glise : \"quand j'\u00e9tais enfant, dit-il, j'allais chez les piaristes (clin d'\u0153il autobiographique d'Amen\u00e1bar) et je priais beaucoup\". Il se rend \u00e0 l'\u00e9glise majestueuse en pleine crise personnelle et y a un dialogue int\u00e9ressant avec un pr\u00eatre normal, ordinaire, comme ceux que nous connaissons qui fr\u00e9quentent les \u00e9glises, sans les caricaturer comme ceux qui n'y vont pas ont l'habitude de le faire. Et le dialogue est sensible, r\u00e9aliste, plein d'espoir, sublime\".<\/p>\n\n\n\n

Dans cette sc\u00e8ne et dans la demi-douzaine de chapitres de la s\u00e9rie, je vois Amen\u00e1bar la main tendue, pr\u00eat \u00e0 marcher ensemble, \u00e0 surmonter ce qui nous s\u00e9pare, \u00e0 respecter les diff\u00e9rences... Exactement ce que l'\u00c9glise essaie de faire avec son processus synodal. Serons-nous capables de prendre la main d'\u00c1lex, de Luc\u00eda, de tant et tant de personnes \u00e9loign\u00e9es de l'\u00c9glise et de commencer \u00e0 marcher ensemble ?<\/p>\n\n\n\n

Ne nous contentons pas d'une \u00e9glise majestueusement coul\u00e9e dans les profondeurs o\u00f9 de nombreux pirates pr\u00e9f\u00e8rent en profiter, mais faisons ressortir le grand tr\u00e9sor que nous devons mettre en valeur. C'est notre \u00e2me, c'est notre Fortune. Si nous r\u00e9ussissons, nous aurons de la chance ou, en d'autres termes, nous serons b\u00e9nis.<\/p>","protected":false},"excerpt":{"rendered":"

Confieso que soy fan de Alejandro Amen\u00e1bar desde mis tiempos de estudiante de Ciencias de la Informaci\u00f3n. Su \u00f3pera prima Tesis (1996) vio la luz estando yo a\u00fan en la facultad y todos los compa\u00f1eros la sentimos como la obra de uno de los nuestros (compart\u00edamos carrera con \u00e9l) que hab\u00eda logrado lo que todos […]<\/p>\n","protected":false},"author":40,"featured_media":16806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[47],"tags":[],"class_list":["post-16805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-firmas"],"yoast_head":"\nLa Fortuna<\/title>\n<meta name=\"description\" content=\"La serie del director Alejandro Amen\u00e1bar parece, tras varias obras contrarias, tender una mano al di\u00e1logo con la Iglesia.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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