{"id":22296,"date":"2022-07-25T06:00:00","date_gmt":"2022-07-25T05:00:00","guid":{"rendered":"https:\/\/omnesmag.com\/?p=22296"},"modified":"2022-08-02T11:05:54","modified_gmt":"2022-08-02T10:05:54","slug":"interview-javier-viver","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/fr\/actualidad\/entrevista-javier-viver\/","title":{"rendered":"Javier Viver<\/b>Si l'art ne g\u00e9n\u00e8re pas de communion, il sera tout autre chose, mais pas de l'art\"."},"content":{"rendered":"

De ses mains sont n\u00e9es des images mariales telles que la M\u00e8re de Hakuna, la Bella Pastora de Iesu Communio, la femme de Lot ou l'Ange gardien que l'on peut voir depuis quelques jours \u00e0 la Puerta del \u00c1ngel de Madrid. Javier Viver<\/a> est l'un des rep\u00e8res de la art sacr\u00e9 contemporain<\/a> en Espagne, mais il est \u00e9galement un auteur prolifique d'\u0153uvres non religieuses, tant sculpturales que photographiques.<\/p>\n\n\n

\n
\"\"
Dans la Bella Pastora<\/em> par Javier Viver<\/figcaption><\/figure>\n<\/div>\n\n\n

Depuis l'ann\u00e9e derni\u00e8re, elle promeut, par l'interm\u00e9diaire de la Fundaci\u00f3n V\u00eda, l'action suivante Observatoire de l'Invisible<\/a>. Une \u00e9cole d'\u00e9t\u00e9 pour les \u00e9tudiants de diff\u00e9rentes disciplines artistiques qui, pendant une semaine, se plongent dans une exp\u00e9rience d'art et de spiritualit\u00e9 dans le cadre du monast\u00e8re de Guadalupe \u00e0 C\u00e1ceres.<\/p>\n\n\n\n

Dans ce contexte, Viver souligne dans cet entretien avec Omnes ce qu'il consid\u00e8re comme le r\u00f4le de l'artiste dans la soci\u00e9t\u00e9 d'aujourd'hui : \"offrir un brin d'espoir, un morceau de paradis, \u00e0 la soci\u00e9t\u00e9\".<\/p>\n\n\n\n

La premi\u00e8re exp\u00e9rience de l'Observatoire de l'invisible a \u00e9t\u00e9 un succ\u00e8s, ce qui a conduit \u00e0 l'\u00e9largissement et \u00e0 la poursuite de l'appel \u00e0 candidatures. Qu'est-ce qui d\u00e9finit cette universit\u00e9 d'\u00e9t\u00e9 ?<\/strong><\/p>\n\n\n\n

- La possibilit\u00e9 de partager la cr\u00e9ation artistique avec une grande diversit\u00e9 d'artistes de toutes disciplines et de tous \u00e2ges. Plus de 100 participants, dont des artistes et des \u00e9tudiants. <\/p>\n\n\n\n

Pourquoi avez-vous choisi le cadre du monast\u00e8re de Guadalupe ?<\/strong><\/p>\n\n\n\n

- Le monast\u00e8re est un centre historique de spiritualit\u00e9 et de cr\u00e9ation artistique de premier ordre. Avec des chefs-d'\u0153uvre de Zurbar\u00e1n, El Greco et Goya.<\/p>\n\n\n\n

Parler de l'invisible, que l'art est la voie de la mat\u00e9rialisation de l'esprit <\/strong><\/p>\n\n\n\n

Peut-il y avoir de l'art inanim\u00e9 ?<\/strong><\/p>\n\n\n\n

- Non, l'art attend qu'une \u00e2me l'interpr\u00e8te, le r\u00e9active. <\/p>\n\n\n\n

L'artiste cr\u00e9e-t-il pour lui-m\u00eame ou pour le spectateur ?<\/strong><\/p>\n\n\n\n

- De mon point de vue, il cr\u00e9e pour un spectateur, pour un lecteur. L'art en tant que ph\u00e9nom\u00e8ne culturel n'a de sens que pour une soci\u00e9t\u00e9. S'il ne g\u00e9n\u00e8re pas de communication, de communion, ce sera tout autre chose, mais pas de l'art.<\/p>\n\n\n\n

Les \u0153uvres les plus importantes sont celles qui relient et \u00e9veillent la contemplation d'autres \u00e2mes, de leur g\u00e9n\u00e9ration et de celles \u00e0 venir. En ce sens, leur projection est intemporelle, leur public universel et illimit\u00e9. L'art \u00e0 long terme est le meilleur investissement. <\/p>\n\n\n\n

Parmi vos \u0153uvres \u00e0 th\u00e8me religieux les plus connues figurent les images mariales de la Bella Pastora ou de la M\u00e8re de Hakuna. Comment imaginez-vous la Vierge ?<\/strong><\/p>\n\n\n\n

- La Vierge Marie est l'\u00c9glise naissante, la jeune fille de Nazareth qui a commenc\u00e9 cette aventure passionnante que nous appelons l'\u00c9glise. Ce fut d'abord l'\u00c9glise domestique de Nazareth, puis l'\u00c9glise hi\u00e9rarchique. Elle est la tradition vivante de l'\u00c9glise, transform\u00e9e en histoires domestiques qu'elle racontera plus tard aux disciples de J\u00e9sus et qu'ils consigneront dans les \u00e9vangiles et autres \u00e9crits. De plus, Marie est l'initiatrice du Chemin de l'Art, via pulchritudinis<\/em>.<\/p>\n\n\n\n

Comme les grandes femmes de l'histoire, elle \u00e9tait la grande narratrice domestique de l'histoire du salut et la grande tisserande. Elle \u00e9tait la m\u00e8re de J\u00e9sus et est devenue la m\u00e8re des disciples de J\u00e9sus. <\/p>\n\n\n\n

L'art a \u00e9t\u00e9 identifi\u00e9, peut-\u00eatre de mani\u00e8re romantique, \u00e0 des marginaux, des fous ou des visionnaires... Y a-t-il une part de v\u00e9rit\u00e9 dans cette identification ?<\/strong><\/p>\n\n\n\n

- L'art est toujours \u00e0 la limite, dans cette r\u00e9gion o\u00f9 appara\u00eet le myst\u00e8re, ce qui n'est pas vu, ce qui n'est pas compris, ce qui rompt avec le politiquement correct.  <\/p>\n\n\n\n

Dans une soci\u00e9t\u00e9 tiraill\u00e9e entre rupture permanente et nouveaux moules, quel est le r\u00f4le de l'artiste ?<\/strong><\/p>\n\n\n\n

- Celle de faire du neuf et du vieux. Celui d'offrir une lueur d'espoir \u00e0 sa soci\u00e9t\u00e9, un morceau de paradis, celui de rendre visible l'invisible. <\/p>","protected":false},"excerpt":{"rendered":"

De sus manos han salido im\u00e1genes marianas como la Madre de Hakuna, la Bella Pastora de Iesu Communio, la mujer de Lot o el \u00c1ngel de la Guarda que, desde hace unos d\u00edas, puede verse en la madrile\u00f1a Puerta del \u00c1ngel. Javier Viver es uno de los referentes del arte sacro contempor\u00e1neo en Espa\u00f1a pero […]<\/p>\n","protected":false},"author":23,"featured_media":22297,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[36,39],"tags":[606,524],"class_list":["post-22296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-cultura","tag-cultura","tag-virgen-maria"],"yoast_head":"\nJavier Viver: "Si el arte no genera comuni\u00f3n no es arte" - Omnes<\/title>\n<meta name=\"description\" content=\"Javier Viver, autor de la Madre de Hakuna, o la Bella Pastora es uno de los referentes del arte sacro contempor\u00e1neo en Espa\u00f1a.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.omnesmag.com\/fr\/pt\/nouvelles-2\/interview-javier-viver\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Javier Viver: "Si el arte no genera comuni\u00f3n no es arte" - 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