{"id":41999,"date":"2024-09-28T06:00:00","date_gmt":"2024-09-28T04:00:00","guid":{"rendered":"https:\/\/omnesmag.com\/?p=41999"},"modified":"2024-09-23T11:57:01","modified_gmt":"2024-09-23T09:57:01","slug":"espace-pour-lart-sacre-classique-et-contemporain","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/fr\/actualidad\/cultura\/espacio-para-el-arte-sacro-clasico-y-contemporaneo\/","title":{"rendered":"Un espace de dialogue entre l'art sacr\u00e9 classique et contemporain"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Les mus\u00e9es dioc\u00e9sains ne sont pas seulement des espaces d\u00e9di\u00e9s \u00e0 l'exposition d'art sacr\u00e9 ; surtout dans une soci\u00e9t\u00e9 s\u00e9cularis\u00e9e, ce sont aussi des lieux qui t\u00e9moignent de l'influence de l'art et de la culture chr\u00e9tienne sur la vie contemporaine. Contrairement aux tr\u00e9sors des cath\u00e9drales, qui tendent \u00e0 se concentrer sur l'art liturgique, les mus\u00e9es dioc\u00e9sains s'engagent dans un dialogue avec la culture contemporaine, exposant l'art contemporain aux c\u00f4t\u00e9s de l'art chr\u00e9tien traditionnel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un exemple frappant en Allemagne est le <a href=\"https:\/\/www.kolumba.de\/\">Mus\u00e9e dioc\u00e9sain de Cologne<\/a>Il est remarquable tant par son architecture que par sa collection d'\u0153uvres d'art, qui cr\u00e9e un dialogue profond entre l'art classique et l'art contemporain. Son nom \"Kolumba\" vient de l'\u00e9glise gothique tardive d\u00e9di\u00e9e au martyr du IIIe si\u00e8cle, connue en Espagne sous le nom de Santa Coloma. Cette \u00e9glise, qui \u00e9tait autrefois la plus grande \u00e9glise paroissiale de Cologne, a \u00e9t\u00e9 d\u00e9truite pendant la Seconde Guerre mondiale. Le mus\u00e9e a \u00e9t\u00e9 construit sur ses ruines par l'architecte suisse Peter Zumthor. Inaugur\u00e9 en 2007, le b\u00e2timent a re\u00e7u de prestigieuses r\u00e9compenses architecturales telles que le prix allemand d'architecture DAM (2008) et le prix d'architecture de Rh\u00e9nanie-du-Nord-Westphalie (2011).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Une fusion du pass\u00e9 et du pr\u00e9sent<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Le mus\u00e9e Kolumba est un bon exemple d'harmonie entre l'ancien et le nouveau : le b\u00e2timent moderne int\u00e8gre les ruines de l'\u00e9glise d\u00e9truite et la chapelle \"Maria in den Tr\u00fcmmern\", construite en 1950 par l'architecte de Cologne Gottfried B\u00f6hm. Il est \u00e9galement possible d'explorer les fouilles arch\u00e9ologiques dans le sous-sol du mus\u00e9e : depuis des passerelles sur\u00e9lev\u00e9es, on peut voir les vestiges d'habitations romaines et d'\u00e9difices religieux des \u00e9poques carolingienne, romane et gothique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L'ext\u00e9rieur sobre du b\u00e2timent est rev\u00eatu de briques d'un gris chaud, ce qui dynamise les larges murs. Ce minimalisme se refl\u00e8te \u00e9galement \u00e0 l'int\u00e9rieur : la sobri\u00e9t\u00e9 de la d\u00e9coration et l'utilisation s\u00e9lective des mat\u00e9riaux permettent de concentrer toute l'attention sur les \u0153uvres d'art. La brique grise du nouveau b\u00e2timent s'harmonise avec le basalte et la brique des ruines, suivant le plan de l'ancienne \u00e9glise et pr\u00e9servant ainsi la continuit\u00e9 historique. L'architecture de Peter Zumthor assume ainsi des fragments historiques tout en cr\u00e9ant un cadre id\u00e9al pour l'exposition contemporaine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le mus\u00e9e abrite une cour int\u00e9rieure qui remplace un cimeti\u00e8re m\u00e9di\u00e9val, contribuant \u00e0 l'atmosph\u00e8re de r\u00e9flexion et de contemplation qui le caract\u00e9rise. Au c\u0153ur du b\u00e2timent se trouve une grande salle d'exposition o\u00f9 coexistent des \u0153uvres d'art anciennes et modernes, favorisant ainsi le dialogue entre les \u00e9poques.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Histoire et d\u00e9veloppement du mus\u00e9e Kolumba<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Le mus\u00e9e a \u00e9t\u00e9 fond\u00e9 en 1853 par la \"Soci\u00e9t\u00e9 pour l'art chr\u00e9tien\" et a \u00e9t\u00e9 repris en 1989 par l'archidioc\u00e8se de Cologne. En 2004, il a adopt\u00e9 le nom de \"Kolumba\", en r\u00e9f\u00e9rence \u00e0 l'\u00e9glise d\u00e9truite. Con\u00e7u comme un \"mus\u00e9e de contemplation\", son objectif est d'inviter le public \u00e0 explorer l'art en tant que reflet de la vie. La collection s'\u00e9tend de la fin de l'Antiquit\u00e9 \u00e0 nos jours, avec un accent particulier sur l'art chr\u00e9tien. Chaque ann\u00e9e, \u00e0 la mi-septembre, une nouvelle exposition annuelle est pr\u00e9sent\u00e9e, associant des \u0153uvres de la collection permanente \u00e0 des \u0153uvres d'art moderne. Ces expositions, dont les titres sont \"L'espace infini se dilate\" (2007\/2008), \"L'homme quitte la terre\" (2008\/2009) ou \"Sanctuaire\" (2013\/2014), donnent chaque ann\u00e9e un nouveau sens \u00e0 la collection. La collection actuelle est consacr\u00e9e \u00e0 \"L'ABC de l'art\".<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">La chapelle \"Marie dans les ruines\".<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">L'un des \u00e9l\u00e9ments les plus embl\u00e9matiques du mus\u00e9e de Kolumba est la chapelle \"Marie dans les ruines\", construite en 1950 par Gottfried B\u00f6hm comme symbole d'espoir apr\u00e8s la destruction de l'\u00e9glise. L'\u00e9glise de St. Kolumba, attest\u00e9e depuis 980, a \u00e9t\u00e9 presque enti\u00e8rement d\u00e9truite pendant la Seconde Guerre mondiale, ne laissant qu'une partie des murs ext\u00e9rieurs et une statue gothique tardive de la Vierge Marie sur un pilier.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La chapelle, qui se dresse sur les ruines de l'\u00e9glise, a une structure simple, semblable \u00e0 une tente. B\u00f6hm a con\u00e7u un autel en basalte \u00e0 trois niveaux et a d\u00e9cor\u00e9 la chapelle avec des \u0153uvres d'artistes renomm\u00e9s, comme les \"Fen\u00eatres du Saint-Esprit\" de Jan Thorn Prikker et une \"Fen\u00eatre de Sainte-Catherine\" de Georg Meistermann.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 1957, une chapelle du Saint-Sacrement a \u00e9t\u00e9 ajout\u00e9e, qui abrite aujourd'hui un tabernacle con\u00e7u par l'artiste Elisabeth Treskow. L'\u00e9l\u00e9gante simplicit\u00e9 de l'architecture, combin\u00e9e au symbolisme de l'art, fait de cette chapelle un lieu de culte central dans la r\u00e9gion de l'Europe centrale et orientale. <a href=\"https:\/\/www.omnesmag.com\/fr\/nouvelles\/colonie-cathedrale\/\">Colonie<\/a>avec la c\u00e9l\u00e9bration de la Sainte Messe et la confession quotidienne.<\/p>","protected":false},"excerpt":{"rendered":"<p>Los museos diocesanos no son s\u00f3lo espacios dedicados a la exhibici\u00f3n de arte sacro; especialmente en una sociedad secularizada, tambi\u00e9n son lugares que evidencian el influjo del arte y la cultura cristianas en la vida contempor\u00e1nea. A diferencia de los tesoros de las catedrales, que suelen centrarse en el arte lit\u00fargico, los museos diocesanos entablan [&hellip;]<\/p>\n","protected":false},"author":399,"featured_media":42000,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[36,39],"tags":[15],"class_list":["post-41999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-cultura","tag-arte"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un espacio para el arte sacro cl\u00e1sico y contempor\u00e1neo - Omnes<\/title>\n<meta name=\"description\" content=\"El Museo Diocesano \u201cKolumba\u201d de Colonia se erige como una fusi\u00f3n arm\u00f3nica de arte entre lo antiguo y lo moderno.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.omnesmag.com\/fr\/nouvelles\/culture\/espace-pour-lart-sacre-classique-et-contemporain\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un espacio para el arte sacro cl\u00e1sico y contempor\u00e1neo - Omnes\" \/>\n<meta property=\"og:description\" content=\"El Museo Diocesano \u201cKolumba\u201d de Colonia se erige como una fusi\u00f3n arm\u00f3nica de arte entre lo antiguo y lo moderno.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.omnesmag.com\/fr\/nouvelles\/culture\/espace-pour-lart-sacre-classique-et-contemporain\/\" \/>\n<meta property=\"og:site_name\" content=\"Omnes\" \/>\n<meta property=\"article:published_time\" content=\"2024-09-28T04:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.omnesmag.com\/wp-content\/uploads\/2024\/09\/Kolumba_03.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"920\" \/>\n\t<meta property=\"og:image:height\" content=\"526\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jos\u00e9 M. 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