{"id":56704,"date":"2025-12-30T06:00:00","date_gmt":"2025-12-30T05:00:00","guid":{"rendered":"https:\/\/www.omnesmag.com\/?p=56704"},"modified":"2025-12-30T10:45:03","modified_gmt":"2025-12-30T09:45:03","slug":"navidad-en-bucle","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/fr\/firmas\/navidad-en-bucle\/","title":{"rendered":"Navidad en bucle"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Stranger Things<\/em> va a jalonar las navidades de 2025 con el estreno de sus \u00faltimos episodios, en inteligent\u00edsima maniobra comercial para convertir el fen\u00f3meno que ya es en parte del \u00abmapa emocional\u00bb de toda una generaci\u00f3n. No es dif\u00edcil imaginar que, dentro de unos a\u00f1os, muchos volver\u00e1n a verla cada diciembre no tanto por la trama como por el recuerdo preciso de aquella Navidad en que la descubrieron por primera vez. As\u00ed, la serie acabar\u00e1 funcionando casi como ancla: no se revisitar\u00e1 <em>Stranger Things,<\/em> se regresar\u00e1 a \u00abaquella Navidad\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A los nacidos en Espa\u00f1a durante los a\u00f1os ochenta nos ocurri\u00f3 algo parecido, aunque sin algoritmo que lo anticipara. Tambi\u00e9n nosotros arrastramos un peque\u00f1o canon navide\u00f1o que no responde a criterios est\u00e9ticos ni a jerarqu\u00edas cin\u00e9filas, sino a pura sedimentaci\u00f3n afectiva. Nuestro archipi\u00e9lago sentimental navide\u00f1o, podr\u00eda llamarse, pel\u00edculas vistas una y otra vez, casi siempre en los mismos d\u00edas, que terminaron por confundirse con el propio calendario lit\u00fargico del a\u00f1o.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A la cabeza de mi lista \u2014personal y subjetiva, claro est\u00e1\u2014 habr\u00eda que poner <em>A Charlie Brown Christmas<\/em> (1965), que cierto canal de pago tra\u00eda puntualmente todos los a\u00f1os en diciembre, con aquel \u00e1rbol enclenque inyect\u00e1ndonos anualmente una buena dosis de tristeza suave, y ense\u00f1\u00e1ndonos que la Navidad pod\u00eda ser melanc\u00f3lica sin dejar de ser verdadera. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despu\u00e9s <em>Mickey\u2019s Christmas Carol<\/em> (1983), primera aproximaci\u00f3n de muchos a Dickens, con fantasmas que daban m\u00e1s risa que miedo y cuyo <em>oppening,<\/em> si se oye pasado el tiempo, dar\u00e1 punzada de nostalgia a todo el que lo escuch\u00f3 de ni\u00f1o. Enseguida llegar\u00edan los desajustes: <em>Gremlins<\/em> (1984), que puso luces del chino pretendidamente navide\u00f1as al caos de aquellas criaturas viscosas saliendo de los regalos; y <em>Home Alone<\/em> en sus dos partes (1990\u20131992), aut\u00e9nticos rituales dom\u00e9sticos donde la risa se repet\u00eda exactamente igual cada a\u00f1o, sin desgaste posible como no fuera el del viejo VHS en donde la ve\u00edamos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tambi\u00e9n Tim Burton se col\u00f3 en aquellas Navidades, quiz\u00e1 no tanto como director cuanto como constructor de imaginarios, infiltrando su est\u00e9tica de cuento torcido en nuestro diciembre dom\u00e9stico. <em>Edward Scissorhands<\/em> (1990), con aquella nieve artificial y aquella ternura herida; y <em>The Nightmare Before Christmas<\/em> (1993), g\u00f3tica y festiva a un tiempo, llegaron para integrarse en nuestra memoria navide\u00f1a con la misma naturalidad que los villancicos o el espumill\u00f3n. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En ese mismo ecosistema entraron <em>Le No\u00ebl des Muppets<\/em> (1992), un m\u00e9lange improbable d&#039;humour, de tendresse et de r\u00e9demption, et <em>Le Prince d&#039;\u00c9gypte<\/em> (1998), qui, bien que n&#039;\u00e9tant pas \u00e0 proprement parler un film de No\u00ebl, \u00e9tait n\u00e9anmoins profond\u00e9ment solennel, biblique et grandiose \u2013 suffisamment pour s&#039;int\u00e9grer \u00e0 cette \u00e9poque o\u00f9 tout semblait devoir \u00eatre important. Pour clore mon propre panth\u00e9on, <em>Wallace et Gromit : une journ\u00e9e formidable<\/em> (1989), un <em>doit<\/em> Un No\u00ebl qui s&#039;est gliss\u00e9 dans notre imaginaire collectif avec un humour tr\u00e8s britannique et une ambiance de conversation d\u00e9contract\u00e9e apr\u00e8s le d\u00eener.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Puis ils arriveraient <em>Harry Potter, Le Seigneur des Anneaux, Avatar<\/em> et autres sagas monumentales. Nous les avons appr\u00e9ci\u00e9es, bien s\u00fbr, mais elles ne nous touchent plus de la m\u00eame mani\u00e8re. Ces films allaient devenir le domaine de la g\u00e9n\u00e9ration suivante, celle qui a grandi berc\u00e9e par les avant-premi\u00e8res et les marathons cin\u00e9matographiques. Pour nous, le panth\u00e9on \u00e9tait d\u00e9j\u00e0 clos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Et il n&#039;y a pas de conclusion claire \u00e0 tout cela. Il ne peut y en avoir. Comment mettre un terme \u00e0 une chronique qui n&#039;a jamais \u00e9t\u00e9 qu&#039;une image fig\u00e9e de jours r\u00e9volus\u00a0? Revoir ces films chaque No\u00ebl n&#039;ouvre aucune perspective d&#039;avenir ni ne promet aucun renouveau. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Au fond, il s&#039;agit d&#039;un plongeon d\u00e9lib\u00e9r\u00e9 et complaisant dans le pass\u00e9. Quelque chose de st\u00e9rile, d&#039;improductif, de r\u00e9p\u00e9titif. Une perte de temps absolue. Et peut-\u00eatre, pr\u00e9cis\u00e9ment pour cette raison, si humain. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Parce que dans un monde qui exige plus que jamais le progr\u00e8s \u00e0 tout prix, le progr\u00e8s pour le progr\u00e8s, l&#039;\u00e9conomie fr\u00e9n\u00e9tique du temps, il y a quelque chose de profond\u00e9ment n\u00e9cessaire \u00e0 s&#039;arr\u00eater seulement pour revenir. Sans rien apprendre de nouveau. Sans <em>aggiornamenti<\/em> culturellement parlant. Sans grandir. Uniquement pour le plaisir \u2014 presque enfantin \u2014 d&#039;y revenir.<\/p>","protected":false},"excerpt":{"rendered":"<p>Stranger Things va a jalonar las navidades de 2025 con el estreno de sus \u00faltimos episodios, en inteligent\u00edsima maniobra comercial para convertir el fen\u00f3meno que ya es en parte del \u00abmapa emocional\u00bb de toda una generaci\u00f3n. No es dif\u00edcil imaginar que, dentro de unos a\u00f1os, muchos volver\u00e1n a verla cada diciembre no tanto por la [&hellip;]<\/p>\n","protected":false},"author":2440,"featured_media":56707,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[13,16,628],"class_list":["post-56704","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-firmas","tag-cine","tag-jovenes","tag-navidad"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Navidad en bucle<\/title>\n<meta name=\"description\" content=\"Volver cada Navidad a esas pel\u00edculas de la infancia no abre ning\u00fan futuro ni promete renovaci\u00f3n alguna. Es la necesidad de volver.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.omnesmag.com\/fr\/signatures\/navidad-en-bucle\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Navidad en bucle\" \/>\n<meta property=\"og:description\" content=\"Volver cada Navidad a esas pel\u00edculas de la infancia no abre ning\u00fan futuro ni promete renovaci\u00f3n alguna. 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