{"id":11786,"date":"2021-04-26T12:12:29","date_gmt":"2021-04-26T11:12:29","guid":{"rendered":"https:\/\/omnesmag.com\/?p=11786"},"modified":"2021-04-26T12:13:58","modified_gmt":"2021-04-26T11:13:58","slug":"nomadlandia-duello-su-ruote","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/it\/actualidad\/cultura\/cine\/nomadland-duelo-sobre-ruedas\/","title":{"rendered":"Nomadlandia: duello su ruote"},"content":{"rendered":"

La regista cino-americana Chlo\u00e9 Zhao (1982) completa il trio del realismo sociale minoritario negli Stati Uniti. \u00c8 cresciuta nella sua attivit\u00e0 di regista indipendente e nella sua pluripremiata carriera: prima con Canzoni che mi hanno insegnato i miei fratelli <\/em>(2015), <\/em>poi con Il Cavaliere<\/em> (2017), e infine con questo quadro di nomadismo lavorativo negli Stati Uniti occidentali, seguendo una donna di sessant'anni che prende la strada per rimettere in sesto la sua vita.<\/p>\n\n\n

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Profilo del film<\/h2>\n\t\t\n\t\t
Titolo<\/strong>Nomadlandia<\/div>
Direttore<\/strong>Chlo\u00e9 Zhao<\/div>
Anno<\/strong>: 2020<\/div>
Paese<\/strong>: Stati Uniti<\/div>
Produttore<\/strong>Highwayman Films, Cor Cordium Productions, Hear\/Say Productions<\/div>
Distributore<\/strong>Searchlight Pictures, Walt Disney Pictures<\/div>\t<\/div>\n<\/div>\n\n\n

Nel 2011, la chiusura di una fabbrica di materiali da costruzione provoca l'esodo della gi\u00e0 minima popolazione di Empire (Nevada), trasformandola in una citt\u00e0 fantasma. Anche la protagonista, Fern - una trasandata Frances McDormand, in lizza per il suo terzo Oscar - fa i bagagli e parte per un viaggio nomade, accettando lavori temporanei ovunque riesca a trovarli. Scappa via malinconica, pronta a tutto. Scopriamo chi \u00e8 e cosa le succede attraverso notti e giorni su ruote, con e senza lavoro, in viaggio o in sosta, in passeggiate solitarie o in vivaci conversazioni in una vera comunit\u00e0 nomade. Il film, tratto da un libro, non segue una sceneggiatura classica, parte in movimento, \u00e8 fuorviante, e solo alla fine esprime pienamente il vero dolore su ruote di questa donna socievole che resiste alla solitudine. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Il rifugio vitale dei protagonisti, soprattutto il suo, omette il Dio trascendente e personale. Attinge invece all'immortalit\u00e0 umana, non solo alla memoria, ed evoca il rinnovamento accessibile al cuore dell'uomo attraverso il lavoro semplice, l'amore per la natura - tante sequenze la cui magia risiede nella fotografia e nei colori di Joshua James Richards, accompagnati dalla musica di Einaudi - e, naturalmente, la cura dei nostri simili: quegli scambi fecondi di Fern e dei suoi colleghi, provvidenziali o prematuri. <\/p>\n\n\n\n

Chlo\u00e9 ha confermato la sua abitudine di affidare un ruolo a qualcuno che non \u00e8 mai stato un attore professionista; e in questo spicca l'anziana signora Linda May, gentile e simpatica. A Zhao piace dimostrare che il cinema ci d\u00e0 la vita stessa, e la vita stessa diventa grande cinema? Infatti, la sua macchina da presa non perde alcun dettaglio, e segue i personaggi quando si svegliano presto o dormono, e si posa persino nell'intimit\u00e0 per nulla intrigante del bagno, come un angelo da dietro. Nulla di vano per Nomadlandia<\/em>che ha ottenuto una doppietta senza precedenti, miglior film alla Mostra Internazionale d'Arte Cinematografica di Venezia e premio del pubblico a Toronto. Ha vinto anche due Golden Globes 2021: miglior film (drammatico) e miglior regia. Il culmine \u00e8 stato la notte degli Oscar. Ha vinto tre premi Oscar: miglior film, miglior regia e miglior attrice protagonista. <\/p>\n\n\n\n

La regista \u00e8 attualmente impegnata nella post-produzione di un film d'azione non-stop che rompe con i suoi precedenti. Se riuscir\u00e0 a ribaltare la tortilla della Marvel, avr\u00e0 guadagnato esperienza negli effetti speciali, la direzione di una grande schiera di attori e un sacco di dollari. L'eterno<\/em>Gli Zhao cinesi, una sorta di immortali, devono salvare l'umanit\u00e0. Con loro, il cinese Zhao, che finora aveva fatto rinascere dalle ceneri persone comuni di remote riserve degli Stati Uniti, diventa un regista nazionale con strategie per salvare l'umanit\u00e0. Sistema stellare <\/em>e un assalto delle superpotenze.<\/p>","protected":false},"excerpt":{"rendered":"

La directora china-estadounidense Chlo\u00e9 Zhao (1982) pone su broche a un tr\u00edo de realismo social de minor\u00edas en USA. Ha crecido en su cine independiente y en la cosecha de premios: primero con Songs My Brothers Taught Me (2015), luego con The Rider (2017), y por fin con este cuadro del nomadismo laboral en el Oeste de los Estados Unidos, […]<\/p>\n","protected":false},"author":22,"featured_media":11790,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[56,39],"tags":[],"class_list":["post-11786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-cultura"],"yoast_head":"\nNomadland: duelo sobre ruedas<\/title>\n<meta name=\"description\" content=\"Nomadland ha sido la gran ganadora de la noche de los Oscars. 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