{"id":16805,"date":"2021-11-15T05:11:00","date_gmt":"2021-11-15T04:11:00","guid":{"rendered":"https:\/\/omnesmag.com\/?p=16805"},"modified":"2021-11-15T09:09:07","modified_gmt":"2021-11-15T08:09:07","slug":"la-fortuna","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/pl\/firmas\/la-fortuna\/","title":{"rendered":"La Fortuna"},"content":{"rendered":"

Przyznaj\u0119, \u017ce fanem Alejandro Amen\u00e1bara jestem od czas\u00f3w studi\u00f3w na kierunku informatyka. Jego opera prima Tezy<\/em> (1996) ujrza\u0142a \u015bwiat\u0142o dzienne, gdy by\u0142em jeszcze na uniwersytecie, a wszyscy nasi koledzy czuli, \u017ce jest to dzie\u0142o jednego z naszych (dzielili\u015bmy z nim karier\u0119), kt\u00f3ry osi\u0105gn\u0105\u0142 to, czego wszyscy chcieli\u015bmy i do czego si\u0119 przygotowywali\u015bmy: komunikacj\u0119, opowiadanie wspania\u0142ych historii.<\/p>\n\n\n\n

M\u00f3j podziw dla hiszpa\u0144sko-chilijskiego re\u017cysera prze\u017cywa\u0142 jednak wzloty i upadki z powodu jego zaanga\u017cowania w kontrowersyjne tematy, w kt\u00f3rych \u015bciera\u0142 si\u0119 z moim podej\u015bciem. Na przyk\u0142ad, Offshore<\/em> (2004), jest od\u0105 do legalizacji eutanazji; lub Agora<\/em> (2008), film historyczny, w kt\u00f3rym chrze\u015bcija\u0144stwo jest przedstawiane jako wr\u00f3g post\u0119pu i nauki.<\/p>\n\n\n\n

Jego najnowsza produkcja jednak ponownie mnie z nim pogodzi\u0142a. To jest miniserial La Fortuna<\/em>produkowany przez Movistar+ i reklamowany jako najdro\u017cszy hiszpa\u0144ski serial w historii. Scenariusz oparty jest na komiksie Skarb czarnego \u0142ab\u0119dzia<\/em>autorstwa Guillermo Corrala i Paco Roca, kt\u00f3ry z kolei oparty jest na prawdziwych wydarzeniach. A konkretnie o zwyci\u0119stwie hiszpa\u0144skiej dyplomacji nad ameryka\u0144sk\u0105 firm\u0105 poszukuj\u0105c\u0105 skarb\u00f3w, kt\u00f3ra w 2007 roku przyw\u0142aszczy\u0142a sobie \u0142adunek monet z zatopionego w XIX wieku galeonu hiszpa\u0144skiej marynarki Nuestra Se\u00f1ora de las Mercedes.<\/p>\n\n\n\n

Bohaterowie: m\u0142ody, konserwatywny, katolicki dyplomata i bardziej dojrza\u0142y, post\u0119powy, ateistyczny urz\u0119dnik. Ju\u017c od pierwszej chwili mi\u0119dzy dw\u00f3jk\u0105 bohater\u00f3w, kt\u00f3rych \u0142\u0105czy jedynie pragnienie odzyskania dla Hiszpanii zrabowanego skarbu, sypi\u0105 si\u0119 iskry. Seria \u0142\u0105czy w sobie filmy akcji i przygody, szpiegostwo, bitwy z epoki, romanse, thrillery prawnicze, wszystkie komponenty, aby utrzyma\u0107 szerokie grono widz\u00f3w przyklejonych do ekranu. Zdziwi\u0142o mnie jednak, \u017ce przeszed\u0142 bez wi\u0119kszych fanfar (nie znam jego wynik\u00f3w ogl\u0105dalno\u015bci, ale jego echo w serwisach spo\u0142eczno\u015bciowych jest do\u015b\u0107 ograniczone) i \u017ce nie zosta\u0142 dobrze potraktowany przez krytyk\u00f3w.<\/p>\n\n\n\n

A faktem jest, \u017ce La Fortuna<\/em> to przyjazny, pojednawczy produkt. Nie sprzyja ona \u017cadnej z dw\u00f3ch Hiszpanii reprezentowanych przez Alexa Ventur\u0119 (\u00c1lvaro Mel) i Luc\u00ed\u0119 Vallart\u0119 (Ana Polvorosa). Dw\u00f3jce bohater\u00f3w udaje si\u0119 pokona\u0107 wszystkie dziel\u0105ce ich bariery, a robi\u0105 to id\u0105c razem, nurkuj\u0105c w swoj\u0105 wsp\u00f3ln\u0105 przesz\u0142o\u015b\u0107, dziedzictwo kulturowe, historyczne korzenie, a to niestety nie zas\u0142uguje dzi\u015b na tak\u0105 uwag\u0119, jak podzia\u0142y, konfrontacje czy bezinteresowna przemoc w po\u0142udniowokorea\u0144skim serialu o mi\u0119czakach!<\/p>\n\n\n\n

To w\u0142a\u015bnie Amerykanin, prawnik Jonas Pierce (Clarke Peters), u\u015bwiadamia bohaterom i leniwym cz\u0142onkom hiszpa\u0144skiego rz\u0105du, jak wa\u017cne jest zjednoczenie si\u0119 w celu odzyskania skarbu, stwierdzaj\u0105c: \"M\u00f3wimy o czym\u015b wi\u0119cej ni\u017c o pieni\u0105dzach. M\u00f3wimy o dziedzictwie kulturowym danego kraju. Ka\u017cdy zatopiony statek jest cz\u0119\u015bci\u0105 twojego dziedzictwa, twojej duszy\".<\/p>\n\n\n\n

A co jest dusz\u0105 Hiszpanii, kogo \u0142\u0105czy? Gdy tylko zastanowimy si\u0119 troch\u0119 nad naszym duchem jako narodu, nawet jako kontynentu, pojawia si\u0119 temat wiary.<\/p>\n\n\n\n

Ateista Amen\u00e1bar osi\u0105ga r\u00f3wnie\u017c w La Fortuna,<\/em> co\u015b rzadko spotykanego w hiszpa\u0144skim przemy\u015ble audiowizualnym w ci\u0105gu ostatnich 60 lat: portretowanie faktu religijnego z szacunkiem. Scena ma miejsce w czwartym rozdziale i jest kr\u0119cona w ko\u015bciele San Marcos w Madrycie. M\u0142ody bohater deklaruje si\u0119 jako katolik, cho\u0107 daleko mu do Ko\u015bcio\u0142a: \"kiedy by\u0142em dzieckiem - m\u00f3wi - chodzi\u0142em do pijar\u00f3w (autobiograficzne mrugni\u0119cie Amen\u00e1bara) i du\u017co si\u0119 modli\u0142em\". Idzie do majestatycznego ko\u015bcio\u0142a w trakcie osobistego kryzysu i tam prowadzi ciekawy dialog z normalnym, zwyk\u0142ym ksi\u0119dzem, takim jak ci, kt\u00f3rych znamy, kt\u00f3rzy bywaj\u0105 w ko\u015bcio\u0142ach, bez karykaturalnego ich przedstawiania, jak to maj\u0105 w zwyczaju ci, kt\u00f3rzy tam nie chodz\u0105. A dialogi s\u0105 sensowne, realistyczne, pe\u0142ne nadziei, wysublimowane\".<\/p>\n\n\n\n

W tej scenie i w p\u00f3\u0142 tuzinie rozdzia\u0142\u00f3w serialu widz\u0119 Amen\u00e1bara z wyci\u0105gni\u0119t\u0105 r\u0119k\u0105, gotowego do wsp\u00f3lnego chodzenia, przezwyci\u0119\u017cania tego, co nas dzieli, szanowania r\u00f3\u017cnic... W\u0142a\u015bnie to, co pr\u00f3buje zrobi\u0107 Ko\u015bci\u00f3\u0142 w swoim procesie synodalnym. Czy b\u0119dziemy w stanie wzi\u0105\u0107 za r\u0119k\u0119 \u00c1lexa, Luc\u00ed\u0119, tak wielu i tak wiele os\u00f3b oddalonych od Ko\u015bcio\u0142a i zacz\u0105\u0107 chodzi\u0107 razem?<\/p>\n\n\n\n

Nie zadowalajmy si\u0119 Ko\u015bcio\u0142em majestatycznie zatopionym w g\u0142\u0119binach, gdzie niejeden pirat woli z niego skorzysta\u0107, ale wydob\u0105d\u017amy z niego wielki skarb, kt\u00f3ry musimy ubra\u0107 w warto\u015b\u0107. To jest nasza dusza; to jest nasza Fortuna. Je\u015bli nam si\u0119 uda, b\u0119dziemy mieli szcz\u0119\u015bcie lub, inaczej m\u00f3wi\u0105c, b\u0142ogos\u0142awie\u0144stwo.<\/p>","protected":false},"excerpt":{"rendered":"

Confieso que soy fan de Alejandro Amen\u00e1bar desde mis tiempos de estudiante de Ciencias de la Informaci\u00f3n. Su \u00f3pera prima Tesis (1996) vio la luz estando yo a\u00fan en la facultad y todos los compa\u00f1eros la sentimos como la obra de uno de los nuestros (compart\u00edamos carrera con \u00e9l) que hab\u00eda logrado lo que todos […]<\/p>\n","protected":false},"author":40,"featured_media":16806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[47],"tags":[],"class_list":["post-16805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-firmas"],"yoast_head":"\nLa Fortuna<\/title>\n<meta name=\"description\" content=\"La serie del director Alejandro Amen\u00e1bar parece, tras varias obras contrarias, tender una mano al di\u00e1logo con la Iglesia.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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