{"id":19188,"date":"2022-02-07T05:00:11","date_gmt":"2022-02-07T04:00:11","guid":{"rendered":"https:\/\/omnesmag.com\/?p=19188"},"modified":"2022-03-02T15:42:49","modified_gmt":"2022-03-02T14:42:49","slug":"scultura-diana-garcia-roy","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/pl\/actualidad\/cultura\/scultura-diana-garcia-roy\/","title":{"rendered":"Diana Garc\u00eda Roy<\/b>Cerco una scultura che rifletta lo spirito, che esca dal cuore con sincerit\u00e0\"."},"content":{"rendered":"

Madryt, Rzym, Nowy Jork, Urugwaj i Kamerun to tylko niekt\u00f3re z miejsc, w kt\u00f3rych mo\u017cna znale\u017a\u0107 prace Diany Garc\u00eca Roy.<\/p>\n\n\n\n

Ta m\u0142oda hiszpa\u0144ska artystka znana jest przede wszystkim z rze\u017aby, ale tak\u017ce z innych dyscyplin, takich jak projektowanie i malarstwo.<\/p>\n\n\n\n

Jest autorem takich dzie\u0142 jak Madonna della Speranza, figura maryjna w kaplicy na wzg\u00f3rzu nad fiume Uatum\u00e0, w sercu puszczy amazo\u0144skiej. Albo o\u0142tarz g\u0142\u00f3wny ko\u015bcio\u0142a parafialnego San Manuel Gonzalez w San Sebastian dei Re w Spegnie. I wiele innych dzie\u0142 sztuki astratektowej. Diana Garcia Roy uko\u0144czy\u0142a sztuki pi\u0119kne na Uniwersytecie Compplutense w Madrycie i od ponad dw\u00f3ch dekad zajmuje si\u0119 rze\u017ab\u0105.<\/p>\n\n\n\n

\"<\/em>Zawsze mia\u0142em prawdziwe wewn\u0119trzne pragnienie, aby zmaterializowa\u0107 moje osobiste do\u015bwiadczenia miejsc, przestrzeni architektonicznych, pasj\u0119 do opisywania pi\u0119kna, kt\u00f3re kocham wok\u00f3\u0142 siebie, <\/em>sottolinea Diana Garcia Roy.<\/p>\n\n\n\n

Ma\u0142o tego, utorowa\u0142 sobie drog\u0119 na polu artystycznym i dzi\u015b jest wiele wystaw osobistych i zbiorowych, w kt\u00f3rych bra\u0142 udzia\u0142.<\/p>\n\n\n\n

W tych latach Diana otrzyma\u0142a dofinansowanie na tw\u00f3rczo\u015b\u0107 artystyczn\u0105 od presti\u017cowych instytucji takich jak Casa di Velazquez, Fondazione Marcelino Botin, firma Barta & Partners oraz od Ministerstwa Spraw Zagranicznych dla Accademia di Spagna w Rzymie. \"Dzi\u0119ki tym funduszom i projektom, kt\u00f3re zosta\u0142y mi powierzone z zaufaniem, rozwin\u0119\u0142am si\u0119 w swoim osobistym projekcie\".<\/em><\/p>\n\n\n\n

Pobyt w pracowni Venanzio Blanco spowodowa\u0142 moment zmiany w sposobie pojmowania rze\u017aby i procesu tw\u00f3rczego: \"Zmieni\u0142o to spos\u00f3b, w jaki postrzegam rze\u017ab\u0119. Przedstawi\u0142 mi swoje prawdziwe uczucia zwi\u0105zane z kreatywno\u015bci\u0105. Mam wielki podziw dla jego osoby i tw\u00f3rczo\u015bci\".<\/em><\/em><\/p>\n\n\n\n

Artysta odkrywa sw\u00f3j styl tw\u00f3rczy jako kreacj\u0119 zrodzon\u0105 z serca: \"Staram si\u0119 prze\u0142o\u017cy\u0107 na estetyczny wyraz ide\u0119, kt\u00f3r\u0105 mam w swoim wn\u0119trzu. U\u017cywam j\u0119zyka, kt\u00f3ry gra z fortepianem, mo\u017ce bardziej architetonicznego, ale kt\u00f3ry bardzo wyra\u017anie zaznacza ludzki odcisk w procesie wykonawczym. Szukam rze\u017aby, kt\u00f3ra oddaje ducha, kt\u00f3ra w szczery spos\u00f3b dociera z serca. To przekazuje tym, kt\u00f3rzy j\u0105 zachowuj\u0105 to, co pozosta\u0142o we mnie jako g\u0142\u0119boka droga. Kr\u00f3tko m\u00f3wi\u0105c, \u017ce jest transcendentny, z si\u0142\u0105 i wra\u017cliwo\u015bci\u0105\".<\/em><\/em><\/p>\n\n\n\n

W\u015br\u00f3d licznych prac i rze\u017ab tego artysty \"bardzo wa\u017cne s\u0105 dla mnie te upami\u0119tniaj\u0105ce ofiary terroryzmu oraz rze\u017aba po\u015bwi\u0119cona Miguelowi Angelowi Blanco, zamordowanemu przez grup\u0119 terrorystyczn\u0105 ETA.<\/p>\n\n\n\n

\"Vedere lo spirito. L'opera di arte sacra<\/strong><\/strong><\/h4>\n\n\n\n

Diana Garc\u00eca Roy m\u00f3wi, \u017ce \"powoli przybywa dzie\u0142 sztuki sakralnej, kt\u00f3re wykona\u0142am w wielu krajach\". I tak w oratoriach i ko\u015bcio\u0142ach w Nowym Jorku, Rzymie, Argentynie i Portoryko znajduj\u0105 si\u0119 dzie\u0142a tej m\u0142odej hiszpa\u0144skiej rze\u017abiarki.<\/p>\n\n\n\n

Czym jest sztuka sakralna dla artysty, kt\u00f3ry cz\u0119\u015b\u0107 swojej tw\u00f3rczo\u015bci po\u015bwi\u0119ca temu spotkaniu Boga z cz\u0142owiekiem ze sztuki? Diana Garcia Roy odpowiada, \u017ce chodzi o \"widzenie ducha\". Rze\u017abiarka utrzymuje, \u017ce sztuka figuratywna nie zawsze jest synonimem dobrej sztuki sakralnej: \"E' necessario un minimo di figurativo per potersi elevare a partire proprio da questo. To prawda, ale nie mo\u017cemy pozostawa\u0107 zbytnio na poziomie estetycznym, na wygl\u0105dzie. Chodzi o to, by zrobi\u0107 krok naprz\u00f3d: zobaczy\u0107 ducha, kt\u00f3ry jest w \u015brodku, odnale\u017a\u0107 jego wewn\u0119trzn\u0105 si\u0142\u0119, jego transcendentny wyraz, odkry\u0107 pochodzenie \u015bwi\u0119to\u015bci pewnej postaci i znale\u017a\u0107 spos\u00f3b jej wyra\u017cenia. To wielkie wyzwanie, wcale nie\u0142atwe\".<\/em><\/em><\/p>\n\n\n\n

Istnieje pewien aspekt, w kt\u00f3rym idea rze\u017abiarki pozostaje w konflikcie z ide\u0105 malarza i rze\u017abiarza Antonio Lopeza, kt\u00f3ry pomimo swojego hiperrealizmu, odbiega od koncepcji, \u017ce sztuka religijna powinna by\u0107 skoncentrowana na tym, co religijne i w pewnym sensie \"artystyczne\" (por. Omnes n. 711). Wed\u0142ug Garcia Roy \"Tak jak modlitwa wprowadza nas w kontakt z Bogiem, tak sztuka sakralna musi wzi\u0105\u0107 nas za r\u0119k\u0119 i doprowadzi\u0107 do tego samego celu. Musi przekazywa\u0107 transcendencj\u0119, duchowo\u015b\u0107, kt\u00f3ra podnosi dusz\u0119\".<\/em><\/p>\n\n\n\n

W\u015br\u00f3d jej dzie\u0142 o tematyce religijnej, wykonanie o\u0142tarza hiszpa\u0144skiego ko\u015bcio\u0142a parafialnego San Manuel Gonzales by\u0142o dla tej artystki prawdziwym wyzwaniem. Panel o wysoko\u015bci oko\u0142o 12 metr\u00f3w sk\u0142ada si\u0119 z siedmiu paneli, ka\u017cdy o wysoko\u015bci czterech metr\u00f3w, rozmieszczonych w trzech rz\u0119dach.<\/p>\n\n\n\n

Diana sottolinea che \"La pala della parrocchia di san Manuel Gonzalez \u00e8 stata una grande sfida nella quella ho imparato moltissimo\". <\/em>Dla katolika i praktykuj\u0105cego artysty udzia\u0142 w budowie domu Bo\u017cego jest zawsze wielk\u0105 odpowiedzialno\u015bci\u0105. Dla Diany \"To, co dla mnie osobi\u015bcie by\u0142o najbardziej buduj\u0105ce, to przyjemno\u015b\u0107 robienia czego\u015b tw\u00f3rczego w s\u0142u\u017cbie Bogu, towarzyszenie w obszarze tabernakulum eucharystycznego. I stwierdzi\u0142em, \u017ce dzi\u0119ki swojej pracy mog\u0119 pom\u00f3c ludziom w modlitwie\".<\/em><\/p>\n\n\n\n

Un volto che porta a Dio<\/strong><\/strong><\/p>\n\n\n\n

Jak wybra\u0107 kszta\u0142t figury Madonny lub krucyfiksu? Garcia Roy odpowiada, \u017ce to nie jest tylko \"artystyczne\", ale \"Staram si\u0119 przekaza\u0107 duchowy sens moich do\u015bwiadcze\u0144 poprzez medium rze\u017aby. Nie pretenduj\u0119 do okre\u015blenia roli Madonny czy Jezusa. By\u0142oby to z mojej strony pretensjonalne i uwa\u017cam, \u017ce nie pomog\u0142oby. Podchodz\u0105c do pi\u0119kna staram si\u0119 dekontekstualizowa\u0107 wolty, idealizowa\u0107 je w taki spos\u00f3b, aby sta\u0142y si\u0119 ponadczasowym, duchowym pi\u0119knem, unikaj\u0105c patrzenia na cz\u0142owieka od strony \u017cywych. Szukam tej woli, kt\u00f3ra porusza si\u0119 w najbardziej intymnych i doprowadza nas do Boga.<\/em><\/p>\n\n\n\n

Sulla dimensione dell'arte sacra Diana ha le idee chiare: \"Moim wielkim wyzwaniem jest dotarcie do serca cz\u0142owieka i zaproszenie go do nawr\u00f3cenia. Znale\u017a\u0107, wychodz\u0105c od wiary, spos\u00f3b na wyra\u017cenie pi\u0119kna Boga w spos\u00f3b, kt\u00f3ry g\u0142\u0119boko porusza i przemienia nasze serca.<\/em><\/p>\n\n\n\n

Hoshi<\/em><\/strong>. Stella<\/strong><\/strong><\/h4>\n\n\n\n

Jeden z obecnie realizowanych projekt\u00f3w otrzyma\u0142 nazw\u0119 Hoshi<\/em>. Con questo concetto Diana Garcia Roy \"nazywa prac\u0119 wielu lat: wa\u017cne projekty i rze\u017aby sztuki sakralnej\".<\/em><\/p>\n\n\n\n

Attraverso Hoshi<\/a> \"Zamierzam nada\u0107 widoczno\u015b\u0107 i u\u0142atwi\u0107 zakup wykonywanych przeze mnie reprodukcji w kr\u00f3tkim formacie, kt\u00f3rymi wiele os\u00f3b interesuje si\u0119 od dawna. Chodzi o stworzenie nowej opery, poszerzenie r\u00f3\u017cnorodno\u015bci i zaoferowanie kontaktu dla nowych zasiek\u00f3w. Sono opere appropriate tanto per la casa che per il giardino, e anche per una chiesa...\".<\/em> kt\u00f3ra od wiosny przysz\u0142ego roku b\u0119dzie dost\u0119pna na stronie internetowej, ale b\u0119dzie te\u017c dost\u0119pna na Instagramie i Facebooku.<\/p>\n\n\n\n

Wyb\u00f3r nazwy nie jest przypadkowy. Hoshi\" oznacza po giappo\u0144sku \"stella\", a \"Diana\" po giappo\u0144sku \"stella\". \"Chce odda\u0107 ten druk pod opiek\u0119 Madonny. Jest Stell\u0105 poranka, Stell\u0105 Wschodu. A poniewa\u017c zawsze poci\u0105ga\u0142a mnie sztuka Giapponese, wybra\u0142em ten j\u0119zyk na nazw\u0119 strony\".<\/em><\/em><\/p>\n\n\n\n

Ka\u017cde dzie\u0142o jest dla Diany Garcia Roy wyj\u0105tkowe, czy to cz\u0119\u015b\u0107 kolekcji sztuki astratektowej, czy te\u017c dzie\u0142a sztuki sakralnej, kt\u00f3re w ostatnich latach modelowa\u0142a swoimi r\u0119kami. Dzi\u015b, jak to dzi\u015b, nie ma ona preferencji do \u017cadnej konkretnej pracy: \"ognuna ha la sua storia, le circostanze che l'hanno accompagnata, per tutte ho grande amore. E' vero che ce ne sono alcune che mi piacciono pi\u00f9 di altre, la quelle che mi interessano di pi\u00f9 sono quelle che ho ho nella mente, nel cuore, e che sto desiderando di plasmarle nella materia\".<\/em><\/p>\n\n\n\n

Tak wi\u0119c, jak nie predilige una sua opera, neppure si sofferma su opere altrui, ma che ne apprezza molte, soprattutto queste che. \"con la loro bellezza mi conquistano, mi entrano dentro elevando lo spirito\".<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Madrid, Roma, Nueva York, Uruguay e il Camer\u00fan sono solo alcuni dei posti dove si possono trovare le opere di Diana Garc\u00eca Roy. Questa giovane spagnola \u00e8 conosciuta soprattutto per la sua scultura, anche se coltiva altre discipline come il disegno e la pittura. E\u2019 autrice di opere come la Madonna della Speranza, una raffigurazione […]<\/p>\n","protected":false},"author":23,"featured_media":18381,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[36,39],"tags":[],"class_list":["post-19188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-cultura"],"yoast_head":"\n\u201cCerco una scultura che rifletta lo spirito, che esca dal cuore con sincerit\u00e0\u201d - Omnes<\/title>\n<meta name=\"description\" content=\"La sua opera religiosa, che \u00e8 molto apprezzata attualmente, si pu\u00f2 ammirare in oratori, cappelle e chiese di diversi luoghi.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.omnesmag.com\/pl\/aktualnosci\/kultura\/scultura-diana-garcia-roy\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cCerco una scultura che rifletta lo spirito, che esca dal cuore con sincerit\u00e0\u201d - 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