{"id":9544,"date":"2021-02-27T22:31:19","date_gmt":"2021-02-27T21:31:19","guid":{"rendered":"https:\/\/omnesmag.com\/?p=9544"},"modified":"2022-02-01T16:11:22","modified_gmt":"2022-02-01T15:11:22","slug":"the-art-of-dying-well-with-humour-surrounded-by-love","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/pl\/actualidad\/cultura\/libros\/el-arte-de-morir-bien-con-humor-rodeado-de-amor\/","title":{"rendered":"Sztuka dobrego umierania: z humorem, otoczona mi\u0142o\u015bci\u0105"},"content":{"rendered":"
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Profil ksi\u0105\u017cki<\/h2>\n\t\t\n\t\t
Tytu\u0142:<\/strong>niedoskona\u0142o\u015b\u0107<\/div>
Autor:<\/strong>Carlos Lagarriga<\/div>
Redakcja:<\/strong>La isla de Siltol\u00e1<\/div>
Strony:<\/strong>: 104<\/div>\t<\/div>\n<\/div>\n\n\n

Nie jest \u0142atwo pisa\u0107 o \u015bmierci. W istocie, cho\u0107 jako temat nie straci\u0142a na aktualno\u015bci (ani nie wydaje si\u0119, by mia\u0142o to nast\u0105pi\u0107), zainteresowanie ni\u0105 zna\u0142o lepsze czasy. By\u0142 czas, kiedy m\u0105drzy ludzie rozumieli, \u017ce nie ma wy\u017cszej sztuki ni\u017c ta, by dobrze umrze\u0107. Czas, w kt\u00f3rym m\u0119\u017cczy\u017ani przygotowywali si\u0119 sumiennie do zmierzenia si\u0119 z tym ostatecznym transem. Czas, w kt\u00f3rym modlili\u015bmy si\u0119 do Boga, by wybawi\u0142 nas od nag\u0142ej \u015bmierci, by pozwoli\u0142 nam si\u0119 przygotowa\u0107... Ten czas min\u0105\u0142: nie ma go ani, jak si\u0119 wydaje, nie jest oczekiwany. <\/p>\n\n\n\n

Nie jest te\u017c \u0142atwo czyta\u0107 o \u015bmierci. Czasem wydaje nam si\u0119, \u017ce autor udaje, \u017ce wie za du\u017co, wyra\u017ca si\u0119 zbyt pewnie i na si\u0142\u0119 (w ko\u0144cu, my\u015blimy, co on wie o \u015bmierci, skoro jeszcze \u017cyje)? Kiedy indziej wydaje nam si\u0119, \u017ce wie zbyt ma\u0142o i aby powiedzie\u0107 to, co m\u00f3wi, mo\u017ce lepiej by\u0142oby milcze\u0107... <\/p>\n\n\n\n

Ta niewielka ksi\u0105\u017cka Carlosa Lagarriga jest wi\u0119c tyle\u017c nieaktualna, co ciekawa. Zebrano w nim 60 wierszy, w kt\u00f3rych na r\u00f3\u017cne sposoby zbli\u017ca si\u0119 do ponurego \u017cniwiarza i rzuca mu wyzwanie spojrzeniem, kt\u00f3re znajduje si\u0119 gdzie\u015b pomi\u0119dzy niedowierzaniem, nadziej\u0105 i pe\u0142nym z\u0142o\u015bliwo\u015bci spojrzeniem. Powiedzmy kilka rzeczy tytu\u0142em wst\u0119pu. Ksi\u0105\u017cka zawiera 60 wierszy, cho\u0107 wed\u0142ug liczb wychodzi tylko 58. Autor jest synem Carlosa Pujola. By\u0107 mo\u017ce, aby unikn\u0105\u0107 zamieszania, postanowi\u0142 pomin\u0105\u0107 swoje pierwsze nazwisko i trzyma\u0107 si\u0119 nazwiska matki. <\/p>\n\n\n\n

Carlos Lagarriga pracowa\u0142 w \u015bwiecie wydawniczym i dzieli z ojcem jasne spojrzenie, dojrza\u0142e r\u0119k\u0105 wielkiej europejskiej tradycji sapiencjalnej. To, co patrzy na rzeczywisto\u015b\u0107 z pewn\u0105 protekcjonalno\u015bci\u0105 i zawsze z humorem. To, co cho\u0107 o\u015bwiecone, nie przesta\u0142o wierzy\u0107. Dlatego mo\u017ce spojrze\u0107 \u015bmierci w twarz i przygotowa\u0107 si\u0119 na jej obj\u0119cie. Cho\u0107 zbi\u00f3r wierszy ukaza\u0142 si\u0119 w 2018 roku, jego autor zmar\u0142 w 2020 roku, po d\u0142ugiej walce z chorob\u0105. Jego wiersze nie s\u0105 wi\u0119c \u0107wiczeniem retorycznym, ale aktualnym i klarownym przyk\u0142adem ars bene moriendi<\/em> kt\u00f3ra \u015bledzi histori\u0119 Zachodu. <\/p>\n\n\n\n

Niekt\u00f3re z poetyckich refleksji maj\u0105 w sobie nutk\u0119 humoru (raczej czarnego, \u017ceby nie by\u0142o, ale nie ponurego):<\/p>\n\n\n\n

\"Z tego samego powodu \/ dla kt\u00f3rego umieraj\u0105cemu nigdy nie m\u00f3wi si\u0119 \/ \u017ce umiera, \/ nie wiem, dlaczego nigdy nie pozwala mu si\u0119 \/ wypr\u00f3bowa\u0107 kolejnego lokum \/ z tak\u0105 sam\u0105 pilno\u015bci\u0105 \/ jak wtedy, gdy przenosi si\u0119 do nowego mieszkania \/ i stwierdza, \u017ce okna s\u0105 zamkni\u0119te \/ i potrzebna jest warstwa farby\" (s. 21).<\/p>\n\n\n\n

Nie jest to wyraz cynizmu, ale klarowno\u015bci. I tak podsumowuje:<\/p>\n\n\n\n

\"Ze wszystkich mo\u017cliwych domostw, \/ Ten \u015bwiatowy jest najmniej sta\u0142y\" (s. 22).<\/p>\n\n\n\n

Niekiedy my\u015bli kieruj\u0105 si\u0119 ku znaczeniu \u015bmierci: znaczeniu, jakie ma ona naprawd\u0119 i znaczeniu, jakie nadaje si\u0119 jej w naszym \u015bwiecie: <\/p>\n\n\n\n

\"Bez niepodwa\u017calnej nadziei \/ Krzy\u017ca, \/ zamieniamy poch\u00f3wek \/ w niewygodny zgie\u0142k \/ przeprowadzki lub przej\u015bcia, \/ w zwyk\u0142\u0105 przypadkowo\u015b\u0107, \/ jak ha\u0142as kogo\u015b przeci\u0105gaj\u0105cego mebel \/ tylko po to, by zmieni\u0107 jego miejsce\" (s. 50).<\/p>\n\n\n\n

Kiedy indziej spogl\u0105da w otch\u0142a\u0144 \u015bmierci, jak na przyk\u0142ad w wierszu, kt\u00f3ry po\u015bwi\u0119ca jej w postaci bezkresnego morza. By\u0107 mo\u017ce nie ma odpowiedzi na pytanie o za\u015bwiaty. Poeta zwraca po prostu uwag\u0119, \u017ce w obliczu ogromu nikt nie mo\u017ce nam towarzyszy\u0107 bardziej ni\u017c ci, kt\u00f3rzy nas kochali i \u017cyli wcze\u015bniej (i bardziej) ni\u017c my:<\/p>\n\n\n\n

\"Dlatego nad morze, \/ jak nad \u015bmier\u0107, \/ idzie si\u0119 z babkami \/ a nie z poetami\" (s. 53).<\/p>\n\n\n\n

Albo patrzy w t\u0119 sam\u0105 otch\u0142a\u0144, w chwili, gdy chce obdarzy\u0107 drogich przyjaci\u00f3\u0142 swoim najlepszym u\u015bmiechem. Ta, kt\u00f3ra zostanie mu zabroniona na stypie, by\u0107 mo\u017ce dlatego, \u017ce jest nie na miejscu (s. 60-61).<\/p>\n\n\n\n

Podkre\u015blam, autor nie ma odpowiedzi na wszystko. Zna wielkie refleksje my\u015blicieli i poet\u00f3w na temat czasu i jego iluzji... zna o\u015bwieceniowy pesymizm... a jednak wybiera wierz\u0105cy humor:<\/p>\n\n\n\n

\"W mechanice niebia\u0144skiej \/ jedno ko\u0142o porusza drugie ko\u0142o \/ to powy\u017cej do tego poni\u017cej \/ a to poni\u017cej do tego powy\u017cej, \/ inna sprawa, czy wiemy \/ po co \/ W mechanice ziemskiej \/ stworzenia rodz\u0105 si\u0119, \/ rosn\u0105, ucz\u0105 si\u0119 angielskiego \/ a potem umieraj\u0105, \/ i te\u017c nie wiemy dlaczego \/ Czosnek i szafir w b\u0142ocie\" (s. 70).<\/p>\n\n\n\n

Jednak jego zbi\u00f3r wierszy jest przesi\u0105kni\u0119ty wiar\u0105, kt\u00f3ra jest tak samo o\u015bwiecona, jak i prosta:<\/p>\n\n\n\n

\"Kiedy to czytasz \/ mam nadziej\u0119, \u017ce zostawi\u0142em przekonanych \/ w moim nowym naczyniu \/ zrytym gwo\u017adziami i drzazgami \/ z nostalgi\u0105 krzy\u017ca \/ i bez jednej chwili wahania \/ mi\u0142o\u015bci \/ w odpowiednim momencie zacz\u0105\u0107 \/ przypomina\u0107 \/ Go\" (s. 45).<\/p>","protected":false},"excerpt":{"rendered":"

No es f\u00e1cil escribir sobre la muerte. De hecho, aunque como tema no ha perdido actualidad (ni parece que la vaya a perder), el inter\u00e9s por ella ha conocido \u00e9pocas mejores. Hubo un tiempo en que los sabios entend\u00edan que no hab\u00eda arte m\u00e1s alto que el de bien morir. Un tiempo en que los […]<\/p>\n","protected":false},"author":3,"featured_media":9546,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[39,45],"tags":[],"class_list":["post-9544","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-libros"],"yoast_head":"\nEl arte de morir bien: con humor, rodeado de amor<\/title>\n<meta name=\"description\" content=\"Lucas Buch te recomienda la lectura de La imperfecci\u00f3n, de Carlos Lagarriga.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.omnesmag.com\/pl\/aktualnosci\/kultura\/ksiazki\/the-art-of-dying-well-with-humour-surrounded-by-love\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" 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