{"id":11786,"date":"2021-04-26T12:12:29","date_gmt":"2021-04-26T11:12:29","guid":{"rendered":"https:\/\/omnesmag.com\/?p=11786"},"modified":"2021-04-26T12:13:58","modified_gmt":"2021-04-26T11:13:58","slug":"nomadland-duelo-sobre-ruedas","status":"publish","type":"post","link":"https:\/\/www.omnesmag.com\/zh\/actualidad\/cultura\/cine\/nomadland-duelo-sobre-ruedas\/","title":{"rendered":"Nomadland: duelo sobre ruedas"},"content":{"rendered":"

La directora china-estadounidense Chlo\u00e9 Zhao (1982) pone su broche a un tr\u00edo de realismo social de minor\u00edas en USA. Ha crecido en su cine independiente y en la cosecha de premios: primero con Songs My Brothers Taught Me <\/em>(2015), <\/em>luego con The Rider<\/em> (2017), y por fin con este cuadro del nomadismo laboral en el Oeste de los Estados Unidos, siguiendo a una mujer sexagenaria que se lanza a la carretera para recomponer su vida.<\/p>\n\n\n

\n\t
\n\t\t

Ficha de pel\u00edcula<\/h2>\n\t\t\n\t\t
T\u00edtulo<\/strong>: Nomadland<\/div>
Directora<\/strong>: Chlo\u00e9 Zhao<\/div>
\u5e74<\/strong>: 2020<\/div>
Pa\u00eds<\/strong>: Estados Unidos<\/div>
Productora<\/strong>: Highwayman Films, Cor Cordium Productions, Hear\/Say Productions<\/div>
Distribuidora<\/strong>: Searchlight Pictures, Walt Disney Pictures<\/div>\t<\/div>\n<\/div>\n\n\n

En 2011 el cierre de una f\u00e1brica de materiales de construcci\u00f3n provoca el \u00e9xodo de la ya m\u00ednima poblaci\u00f3n de Empire (Nevada), hasta convertir el pueblo en un fantasma. Tambi\u00e9n la protagonista, Fern \u2014una Frances McDormand despeinada que pugna por su tercer \u00d3scar\u2014 aprovisiona una furgoneta y se marcha a nomadear con empleos temporales donde se los den. Huye melanc\u00f3lica, dispuesta a todo. Nos vamos enterando de qui\u00e9n es y qu\u00e9 le pasa a golpe de noches y d\u00edas sobre ruedas, con trabajo y sin \u00e9l, en la carretera o aparcada, con paseos solitarios o en animada conversaci\u00f3n en una comunidad n\u00f3mada real. La pel\u00edcula, adaptaci\u00f3n de un libro, no sigue un guion cl\u00e1sico, comienza en marcha, despista, y hasta el final no expresa del todo el verdadero duelo sobre ruedas de esta mujer sociable que resiste a la soledad. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

El refugio vital de los protagonistas, sobre todo el de ella, omite al Dios trascendente y personal. En cambio, recurre a la inmortalidad humana, no solo a la memoria, y evoca la renovaci\u00f3n asequible al coraz\u00f3n humano a trav\u00e9s del trabajo sencillo, el amor a la naturaleza \u2014tantas secuencias cuya magia reside en la fotograf\u00eda y el color de Joshua James Richards, acompa\u00f1adas de m\u00fasica de Einaudi\u2014 y, por supuesto, el cuidado de nuestros iguales: esos intercambios fecundos de Fern y sus colegas, providenciales o intempestivos. <\/p>\n\n\n\n

Chlo\u00e9 ha confirmado su costumbre de dar alg\u00fan papel a quien nunca ha sido actor profesional; y ha destacado en esta la apacible y resultona anciana Linda May. \u00bfLe gusta a Zhao demostrar que el cine nos da la vida misma, y la vida misma deviene un gran cine? De hecho, su c\u00e1mara no pierde detalle, y persigue a los personajes cuando madrugan o duermen, y se posa hasta en la nada intrigante intimidad del ba\u00f1o, cual \u00e1ngel por la espalda. Nada en vano para Nomadland<\/em>, que ha hecho un doblete in\u00e9dito, como mejor pel\u00edcula en el festival internacional de Venecia y el premio del p\u00fablico en Toronto. Se ha llevado tambi\u00e9n dos Globos de Oro 2021: mejor pel\u00edcula (drama) y mejor direcci\u00f3n. El colof\u00f3n ha sido la noche de los Oscars. Ha ganado tres premios de la Academia: Mejor pel\u00edcula, Mejor direcci\u00f3n y Mejor actriz principal. <\/p>\n\n\n\n

La directora est\u00e1 trabajando estos meses en la postproducci\u00f3n de un filme de acci\u00f3n sin tregua que rompe con su trayectoria. Si logra dar otra vuelta a la tortilla de Marvel, habr\u00e1 ganado pericia en efectos especiales, direcci\u00f3n de un gran cartel de actores y bastantes d\u00f3lares. Los eternos<\/em>, especie de inmortales, han de salvar a la humanidad. Con ellos, la Zhao china que hasta el momento hab\u00eda hecho resurgir de las cenizas a personas normales de reservas apartadas de USA, se convierte en directora nacional con estrategias Star-system <\/em>y envestida de superpoderes.<\/p>","protected":false},"excerpt":{"rendered":"

La directora china-estadounidense Chlo\u00e9 Zhao (1982) pone su broche a un tr\u00edo de realismo social de minor\u00edas en USA. Ha crecido en su cine independiente y en la cosecha de premios: primero con Songs My Brothers Taught Me (2015), luego con The Rider (2017), y por fin con este cuadro del nomadismo laboral en el Oeste de los Estados Unidos, […]<\/p>\n","protected":false},"author":22,"featured_media":11790,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[56,39],"tags":[],"class_list":["post-11786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-cultura"],"yoast_head":"\nNomadland: duelo sobre ruedas<\/title>\n<meta name=\"description\" content=\"Nomadland ha sido la gran ganadora de la noche de los Oscars. 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